This experimental film is based on a novella in which Ahn Jung-hyo attempts to capture the psychology of a woman who misinterprets a letter from her husband. Staged in 42.9 square meters thoroughly by the theatrical conventions, this film seems a Korean version of Lars Von Trier’s .
Nako
怀疑他就是想抱老婆，后面脸还红了
南月ゆう
在车上的时候对其他人那么凶，对老婆那么温柔。
コウキ。
总感觉明明在往好的方向发展，但是就是感觉心里空空落落的
梅太郎
两张打码过的图